Viktor shklovsky essay art as device.
V iktor Shklovsky’s name has become synonymous with the Russian Formalist movement that he helped to found in the early decades of the 20 th century. With a series of landmark papers, he taught generations of readers that, in the art of literature, content simply doesn’t matter. Form, rather, is where it’s at—the defining feature of the literary work and the singular determinant of its.
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Theory of Prose Victor Shklovsky. Language: english. Pages: 231. File: PDF, 1.42 MB. Preview. Send-to-Kindle or Email. Please login to your account first; Need help? Please read our short guide how to send a book to Kindle. Save for later. You may be interested in. Metafiction: The Theory and Practice of Self-Conscious Fiction (New Accents) Patricia Waugh. Language: english. File: PDF, 1.37.
Viktor Shklovsky's 1925 book Theory of Prose might have become the most important work of literary criticism in the twentieth century had not two obstacles barred its way: the crackdown by Soviet dictatorship on Shklovsky and other Russian Formalists in the 1930s, and the unavailability of an English translation. Now translated in its entirety for the first time, Theory of.
ELKOST Intl. Literary Agency handles world rights in Viktor Shklovsky estate.
Long recognized as a seminal work (Terry Eagleton famously uses it to date “the beginnings of the transformation which has overtaken literary theory in this (twentieth) century”), this short essay, written by a twenty-year-old, has largely eclipsed Shklovsky’s lifelong, deeply politicized, and challenging reworkings of his original term ostranenie. 1 Robinson gives “Art as Device.
Since its first appearance in Viktor Shklovsky’s essay “Art as Technique” (or “Art as Device”) in 1917, estrangement has made its way into the theories of prose fiction, of theatre, and of film, and it forms the core of some of the foundational works in the theory of science fiction, such as Darko Suvin’s definition of SF as cognitive estrangement.